About SkyBabyRecords
In 1999, Paul Terry and Paul Williams formed independent filmmaking company Evil Hypnotist Productions Ltd (EHP). Independent label SkyBabyRecords (SBR) was also founded to release Paul Terry's film soundtrack work as well as his various solo projects (Cellarscape, Isla's Milk, etc).
The tail-end of 2011 into 2012 sees the release of the fourth Cellarscape record 'A Theta/Delta Union', plus, the film scores to 'The Furred Man' 'Billy & Billie', 'Queen Of Hearts' and the first offering from Ash Tree Lane (PT’s heavy moniker).
The future of SBR will be the same mix of eclectica: film soundtracks, fractured acoustic grooves, eerie samples, and brutal tones. And that’s just the way PT likes it.
About Cellarscape
"Beautifully intelligent. Utterly accessible. Cellarscape bring a sound for a new decade. Enchanting pop bursting with soul."
(BBC Radio Kent on Cellarscape's 'A Theta/Delta Union')
Cellarscape is singer/guitarist/drummer Paul Terry’s alt-acoustic moniker that he has been writing, recording, and performing under since 2003. Fusing haunting vocal harmonies to an eclectic mix of fragile/anthemic guitars, hypnotic orchestrations, and angular samples & drums, Cellarscape songs bristle with an undeniably cinematic presence...
...echoing Paul's sideline in film soundtracks. These include the 12-time award-winning werewolf tale 'The Furred Man', the acclaimed 2006 feature 'The Wake', and the award-winning short, 'Mightier'. The world-renowned Empire Film Awards have also used Paul's film music for their promo campaigns.
With the fourth Cellarscape record ‘A Theta/Delta Union’ released Nov 2011 – plus, soundtracks for 'Red Light', 'Billy & Billie', and 'Queen of Hearts’, and the debut of Paul’s atmosphere-core heavy project, Ash Tree Lane in 2012 – things remain business as usual, with his music staying as eclectic as ever.
Here are some examples of what the press/radio/magazines have said about Cellarscape (for a complete run-down of detailed reviews to date, go to Press/Reviews):
“Impeccable songwriting. A symphony for today’s music lover.”
(Australia’s Indie Showcase)
“Playful then punishing... a shifting soundscape of mood and intention.”
(The Ripple Effect)
“Remarkably varied... songs that could’ve been composed by Metallica or Tears for Fears only increases its wonder.”
(Daily Music Guide)
“A diverse range of soundscapes creating a palette of aural delight.”
(Big Cheese Magazine)
"Breathes an intimacy that is all too rare in new music… has the undeniably cinematic sweep of great movie music."
(Control Yourself)
"Symphonies of strings and innovative drum loops worthy of Biffy Clyro. Truly a force to be reckoned with."
(Rockworld TV)
"There's so much music on the market at the moment, but somehow Cellarscape still sounds unique. The future's bright, the future's Cellarscaped."
(Channel 4.com)
"A fine collection of songs you'd expect to hear in a top-quality indie movie like 'Garden State' or 'Donnie Darko'. Recommended."
(Absolute Gadget)
"Songs of desolation that echo with mood and meaning."
(County Times)